Digital Networking – the Essential Way to Do Business

May 14th, 2013 Claire Sully

At the recent Discuss and do event in Frome, Somerset, Claire talked about the digital game changer and how essential it is for today’s  business people to use digital networking to succeed.

Discussing the concept of Me-Branding,  Claire interviewed via Skype LA-based  Indie film Marketing pioneer Sheri Candler.  The transcript of that interview is as follows.


Q. How have you positioned yourself in the market?

My early positioning was meant just to raise up my profile in order to gain employment. I thought if I could bring attention to myself as a knowledgeable person, providing value to an audience, then it would make me stand apart from other candidates. What I found out was I was a pioneer in this field for indie films. Most employers (distributors and studios who are typically in charge of marketing films) were not paying attention to social networking and its power when I was starting to gather attention. Truth be told, they still really don’t. They see it as just another outlet for advertising.

So I really started thinking about what I could do if I my enthusiasm wasn’t interesting to employers. I could work for myself and I could work directly with filmmakers who started not seeing distribution outlets for their films. Many indie distributors were closing down but video on the internet was coming up as a real possibility of distribution to a global audience. So how do  you tell a global audience about your work if you don’t have large sums of advertising money to blanket the market? Well, that’s where marketing strategy comes in and being able to make connections with people is what social media is about. I show I can do that every day by actually connecting with people in social media.

My positioning came then from being a helper. If you share your knowledge in this space, you attract people and it is a much stronger lead generator because they are specifically looking for a knowledgeable person. This mindset is the absolute antithesis of the competitive and greedy nature of business where it is the norm to hide information, to make it proprietary and one must pay in order to access someone with it. The way I felt about it was I can show information and if someone takes it and does their own work, then they didn’t need me. But if they agree they need it and they can’t handle the job on their own or they don’t have time or they just don’t want to, they can hire me and they know what I do and that others recommend me.

Q. What part did social media play in helping to achieve success

My original platform was just my blog, my own website. I knew that it would be very difficult for me to espouse best practices for internet marketing and not have my own presence. I am astounded at people who say they work in marketing or public relations and do not even have their own website or blog.  They might have a Linkedin page or a Twitter account. You can’t work in marketing today not have accounts on all the major sites, you just look like a fool. And if you do have accounts, you have to maintain them regularly.

I started out with a Myspace account and Linkedin. I quickly moved to Facebook when it was becoming more known and also started up a Twitter account. And when I started I wasn’t quite sure what I wanted to do with it. On my blog, I knew I wanted to share the information I was learning about social networking, about online platforms for selling films, about how sales agents worked and how distribution works. I was very curious because I had never worked in film before and I wanted to know how it was different from working in other industries. The 2 previous marketing jobs I had were business to business marketing jobs. Social media can be both B2B and B2C. Film sales and distribution is really B2B, but most people don’t realize that.  So whatever I wanted to find out, I did, and then I wrote about it. Once you start writing, little search bots visit your site and start ranking you under terms and I started being found by independent filmmakers and facilities teaching filmmaking under the term Independent Film Marketing or Independent Film Publicity or Independent Film Distribution.

With Facebook and Twitter I just continued to do what I was doing on my blog. I shared useful links on Twitter. I contextualized those links on Facebook. I separated my personal profile on Facebook and built a business page (or fan page when that first started) because I was starting to bore my personal friends and family with too much talk about indie film business.

I started researching influential people and people whose mindset I was closely aligned with in the film business. There weren’t that many really. Everyone then, this was 2008, was very much in the old way of doing things. And that was an advantage to me. I purposely connected with those people on Twitter and Linkedin, mostly Twitter. I sent them emails mostly saying what I liked about their approach, never asking them for anything. But when you show someone you are listening and you like what they have to say, they are naturally curious about you. I tried to meet these people in real life whenever I could. Face to face is still important, but it is made easier by starting the dialog online. It lessens the awkwardness, you feel like you already know each other somewhat.  Same thing happens when I go to film festivals or other film events, I see people sometimes for the first time, but I have been conversing with them for months online.

Q. Did you have a plan or did a plan emerge or did it just happen

A plan emerged. I started with a blank sheet of paper, marketing knowledge and an internet connection. I had no connections in the film business at all. I started working at a local film festival which put me back in touch with filmmakers and I learned of their concerns and I started talking to them about what their options were now. I read every day, mostly about what people are doing with marketing in other industries, and I adapt that to the independent film industry and show how it is relevant.

I decided that since I was a pioneer in this new thinking, I couldn’t align myself with those who didn’t have that mindset. It is easy  and for some people preferable to go with the herd, not stand out. Standing out takes courage and you will be ridiculed. I had to not care about that because I strongly believed that the age of the artist being responsible for their own career, not dependent on a system to give them breaks or make things happen for them, is here. I have to live what I preach and it has worked for me.  It doesn’t appeal to everyone, and that’s ok with me. I am not trying to please everyone, I won’t reach everyone. Marketing strategy is not about reaching everyone, it is about reaching the right people at the right time. I was a little early, but not too early and so it was the right time.

My plan organically changes as I go though. No plan should be set in stone, you have to adapt to changes. When I started, I never thought I would write a book or write journalistically for industry publications or be a public speaker or teach courses. I thought I would only work with filmmakers and my writing would just be on the blog. And as I have worked more with film, I have changed my mind on how some things should be done. I have learned it through experience of my own and also by talking to other people. Guess how I find those other people? Via social networking and from reading other blogs and from interviewing people for my own blog. I can’t tell you how useful it is to get to know someone you want to know by asking to interview them for your blog or to include them in an industry article. When I was first starting, that is how I got to know many influential people.

Q. 3 pieces of advice to those looking to achieve success

-perseverance. When I started out and became more vocal, I began to see a little bandwagon jumping from some people, people who didn’t have marketing backgrounds but saw there was opportunity in selling social media services to the film industry. Those people flamed out pretty quickly because they really didn’t know what they were talking about, or it took a lot longer to be known for those skills than they were willing to wait. If you can keep plugging for the long run, you’ll see your competition halve just because you kept going and they gave up.

-always keep up with emerging trends. You must read, read, read from different sources to know what is happening with your industry. There is absolutely no excuse now that anyone in business has access to Google not to know anything. If you don’t know it, Google it! If you don’t know a term or how to do something, google it! Someone has made a tutorial video, written a blog post about whatever it is you want to know. Make that research a habit. Also share your knowledge, don’t horde it. Being a genius in silence is not helping you. People won’t just find you. You have to speak up and the best way to do that is to share what you know.

-Have a clear voice and make it unique. Don’t go with the crowd, you’ll never be found. You all have something to offer that is unique to you. You should share that in everything you do online. It is no different than you would be in the real world. A brand is not a logo. That is just a visual representation of what you are about. Your brand is what you believe and how you represent that in your actions. If it is for a company, what is the company ethos? What do they stand for? If it is yourself, you must show the world what you believe in for every part of your work. Social media is a way to show it, that’s all it is. There are many tools to do that with (Pinterest, Facebook, Instagram, Twitter) but those don’t work if you have not determined what you stand for.

About Sheri:

Sheri Candler is a digital marketing strategist. Through the use of content marketing tools such as social networking, podcasts, blogs, and online media publications, as well as relationship building with organizations & influencers, she assists filmmakers in building an engaged & robust online community for their work that will help develop and sustain their careers.

Sheri has been involved in many indie film campaigns including “YELLOWBRICKROAD” (Slamdance 2010); “The High Level Bridge” (Sundance 2011); “Ride The Divide” (2011); “Undertow (Contracorriente)” (2011). In 2012, she helped to distribute the feature documentary “Joffrey: Mavericks of American Dance” which screened theatrically in over 90 venues, is available on DVD/digital and was broadcast nationally on PBS American Masters series. Through her work, the production was able to connect with the ballet audience worldwide.

You can find Sheri:

https://www.facebook.com/sheri.m.candler

@shericandler


About Claire Sully

Claire has been a strategic marketing professional for the arts and creative industry for 15 years. She is MD of Bristol-based digital marketing agency Tickbox Marketing, working for local authorities, creative businesses and major charities, including Creative England, international charity The Wildfowl & Wetlands Trust (WWT), St Peter’s Hospice, Bristol City Council and Luton Culture.

For the last 6 years, Claire has also championed digital creative arts in the South West working with leading companies such as Aardman, Icon Film, Grace Productions and BBC Natural History (and other major creative businesses and networks in the region), running industry showcase and training events with a focus on inspiring the next generation and opening up access to jobs and skills for new talent.

Claire’s recent training programme for children, digiKids, attracted hundreds of children over a two day period from Cornwall, Somerset to Bristol. This programme saw children experiencing: Cool Coding for Kids, Get Animated, model making with Aardman, pinhole photography and master classes with leading documentary makers.

You can find Claire @clairedesully & claires@tickboxmarketing.co.uk

Branding: Skills, talent and the right attitude

May 14th, 2013 Claire Sully

As you probably know I run a digital marketing agency based in Bristol and Somerset.  Finding new recruits with the right skills, talent and attitude is challenging. In fact it is widely accepted amongst many digital media businesses in this region that recruitment is a nightmare.

Creating a platform for new talent to emerge, to be inspired, learn industry skills is the first step to solving a big problem.

With industry colleagues from Icon Films and supported by Aardman and other independent filmmakers and creative digital media companies in Somerset and Bristol, I set up Shepton Digital Arts Festival an industry showcase for the south west. This led me to Creative Skillset who were already tackling the problem head-on; from Government policy to engaging with education and businesses, to roll out a different training and education approach.

Investing in Potential: The apprentice question

I considered an apprentice for my company, but was apprehensive. They may need more support than we had time to provide and all hands count with a busy production schedule.

This all changed when I went to a Creative Skillset apprenticeship graduation showcase and heard from apprentices and most importantly their employers – employers like me. The stories were transformational. Employers said investing in someone’s potential was actually a big benefit to their business. This led us to take on our first apprentice. Taking industry ideas and practice into the training room

Creative Skillset focus on the end game, which is helping young people develop industry-based skills and find employment. They encourage training providers to work with businesses to ensure training is relevant to today’s work place.

So I found myself in the training room in front of a bunch of talented and bright apprentices last week. Working with apprentices from the BBC, Icon Films and other specialist Bristol businesses, my task was to talk about social media and I felt a buzz being in front of the next generation of creatives.

Social media is a big area to cover, there is the strategic marketing aspect, the technical aspect, and people have varying levels of understanding and experience. In my view, to embark on social media without understanding marketing principles is a non-starter. Using social media platforms in a business and media context needs an understanding of fundamental marketing principles.

Businesses also have varying levels of understanding of social media and marketing, knowing it’s important to engage with customers/audience online but not knowing how to go about it. Apprentices shouldn’t be tasked with the responsibility of social media marketing for their employers without guidance and a digital marketing plan to work to.

Understanding social media engagement with an audience is central to broadcasters and media companies delivering creative output; this is the digital game changer and where I started my session:

  • The businesses that succeed most in the future will be those who offer a complete and seamless experience across devices and platforms.
  • All growth driven by the creative sector is digital

My feeling was that if these apprentices understand the power and importance of the digital game changer and online engagement it would help them enormously as they also develop their other technical and creative skills.

My job as a trainer was to help the apprentices see social media slightly differently and start to pin this down to how they could apply this knowledge practically in their professional lives. Therefore the digital revolution needed to be understood, but for audience engagement to work marketing principles come into play, so my session was about marketing as well as social media.

So working through:

  • The digital game changer
  • Marketing view – how does it look digitally?
  • Creating a digital marketing plan – from vision to delivery
  • Web presence
  • Blogging
  • E-marketing
  • Social media tools/platforms
  • Goals and measure – web metrics

The students were asked to apply social media marketing to creating and presenting themselves as a Me-Brand. A Me-Brand is how you present yourself across the social media platforms, to represent what you stand for and where you want to be in your professional career, giving your employer a positive reflection at the same time. Thinking about your audience and being strategic is key. This is why a digital marketing plan is necessary.

My session was as interactive as possible and involved the groups own experiences. My intention was to take the apprentices on a journey from why do I need to think about social media and the digital game changer to how do I use social media in my professional career? I think this is a small but significant step to learn as the apprentices develop technical skills in the digital creative industry.

Claire Sully is a strategic marketing professional, MD of Bristol-based digital marketing agency Tickbox and has run industry training sessions for creative and digital media apprentices. You can find Claire @clairedesully

Social media and tourism

November 29th, 2012 John Brunsdon

Tourism and social media seem to be the theme of the week this week, yesterday saw the topic covered at the annual Exmoor Tourism Partnership where I was a keynote speaker. This morning I was talking on the same subject on BBC Radio Somerset, and today it’s the major theme of Somerset’s Annual Tourism Conference.

I was asked the same question on radio as I was when giving my talk – why is social media so important for tourism.

The simple answer is “because it is how a huge proportion of holidaymakers make their decision on where to go”.

A recent survey suggested that nearly 50% of people who did any social media research when considering a holiday (and that’s most people these days), changed their mind about where to go as a result of social media.

That’s quite a stat – nearly half the people thinking of going somewhere then entirely changed their mind because of how people were talking about places online. You need to make sure they are talking about you.

Talk amongst friends

It’s actually not hard to see why that happens. When people simply search online, they find information about a place written by the place itself. Or they may find reviews by people they don’t know.

When they search on social, more often than not they are finding reviews from people they know – or at worst a friend of a friend.

How much more persuasive is a recommendation from a friend than an advert?

The beauty of social media is that you can, in effect, join in a conversation between friends about things that relate to your business.

Unlike and advert, that has to be watched or read, or a website that has to be searched for and found – your social media is there, live, in the conversation, when people are deciding where to go.

You’ve posted pictures of your guests having a great time (with their permission of course!) and tagged them in it. You’ve connected with networks that are interested in things you have – fishing, horses, cycling, rambling, good food etc – and given them useful information that they like to share. You’ve posted videos, you’ve tweeted about the river levels, or the weather, or things to see and do, or events going on in your town.

So when they think about where to take a break, you are there – on their own platform, in their living room or on their phone, at the right time in the right place.

Social media doesn’t require an enormous amount of technical knowledge, what it does require is careful planning, proper strategy, and – most of all – your voice with something interesting to say.

Apprentice Web Designer

October 11th, 2012 Oliver Ward

Bristol-based Digital Marketing agency Tickbox Marketing are offering a government funded apprenticeship (BTEC Level 3 Certificate in Creative and Digital Media (QCF)) in website design and development.

We are looking for an enthusiastic, work-ready individual with a keen interest in the digital and creative industries.

This opportunity would suit a highly motivated candidate with good communication and organisation skills, an eye for detail and a real passion for technology and web. Strong logical thinking and problem solving skills are a must.

Tickbox would provide support for the candidate to develop their skills, and gain experience on the job, with the opportunity to grow the position into a permanent web designer or developer role.

The role’s activities would be wide-ranging, and the focus could be modified to suit the candidate’s skills and interests, in an agency whose work includes web design, social media and email marketing as well as developing web software products. The responsibilities would include converting designs into HTML, writing functionality with PHP, testing websites, as well as general office and client-facing tasks.

This role would have support from both a supervisor and a developer.

Please apply with a brief CV, a covering letter (no more than 300 words) explaining why you feel you would be suitable for this role, and some examples of your work, both coding and design.

The role

The role involves:

• following a training programme
• converting web page mock-ups into HTML/CSS
• cross-browser testing and functional testing, of both the candidate’s own work and the work of others, for internal quality assurance
• interacting with clients
• providing phone and email support to clients
• project management
• education in, and use of, web development methodologies

Essential skills:

• Demonstrable experience in programming and computers
• All-round computer skills (both hardware and software)
• Some experience in hand-coding web pages with HTML & CSS
• Basic use of Photoshop and/or InDesign

Desirable (but not required) skills:

• some Javascript/JQuery experience
• knowledge of domain/DNS/nameserver behaviour
• knowledge of and experience in use of PHP coding, MySQL or other database
• knowledge of quirks of rendering of websites in different browsers
• experience in browser testing
• experience in user testing
• knowledge of server-side scripting (PHP, python or perl) would be beneficial
• knowledge of web server environments (preferably LAMP)

Hours

30 per week, Monday-Friday, 9.30 am – 4.30pm

Salary

The starting salary for the role would be £82.15/week.

Location

Park Street, Bristol

Closing date

Applications close Friday 31st October 2012.

Applicants must be available for interview between Monday 22nd October and Friday 2nd November. Interviews will be held in Bristol.

We expect the employment to commence on Monday 12th November.

To apply

Apply here >>

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Does my bum look big in this? Opinions on public sector ICT procurement

September 12th, 2012 John Brunsdon

Honestly, you look great

Being asked for feedback by organisations you supply – either directly or indirectly – is a bit like being asked “does my bum look big in this?”.

You know what you should say if you are being honest, but do you really want to go there!?

So we were pleasantly surprised – and  a little nervous – to be asked by Bristol City Council to give feedback on what it was like to work with them.

We are one of seven Bristol agencies on their ICT procurement framework, and the council is committed to procuring even more services from local ICT suppliers.

It’s a move we’d love to see echoed by other authorities in the UK. And not just because we are a supplier – but because we genuinely believe it’s an approach that offers the best value for money for taxpayers and the greatest scope for effective use of IT by local authorities.

The following are some of the key points we made about general public sector ICT procurement which we think would be useful for any local authority (or business for that matter) to take on board when commissioning web projects.

Thankfully for us, BCC is largely not guilty on all counts.

Think of it as a wish list from a digital agency that would really just like to be able to do a good job for you!

1: “No one ever got fired for buying IBM”

FUD (Fear, Uncertainty and Doubt) is still the biggest enemy of innovation and devourer of budgets in public procurement. The old adage about IBM still holds true – when a publicly-funded ICT project is procured there is a strong institutional sense of self-preservation that leads to using large, established businesses rather than trying more innovative, cost-efficient approaches that carry a perceived risk of the unknown.

Unfortunately – as evidenced in any number of large public ICT disasters – the only risk being avoided is the risk of being blamed for having taken an innovative approach. The risk to the project is often less taking on “unknowns” as long as they are, to quote Mr Rumsfeld, “known unknowns”.

Getting to know your local suppliers, understanding what makes a good one, building up relationships with them so you know strengths and weaknesses, matching groups of smaller suppliers into partnerships with capacity to deliver – these are what make your “known unknowns”, and – I’m glad to say – what BCC seems to be doing.

Also, collectives of individual expertise usually provide a much more fertile environment for innovation and flexibility than the more monolithic approach of larger organisations.

2: Letting technology drive marketing strategy

Its still common to see the public sector treating web development as though it is a pure IT discipline. IT departments often run web projects when 90% of what you are trying to solve with a web development are strategic, administrative and engagement problems, not technical ones.

We see a lot of public sector tenders, and in the vast majority of cases the focus of questions is on technology – or technology/design. There seems to be little consideration of digital strategy – and where there is, suppliers are being asked to set out strategy without the necessary knowledge and insight of organisational goals, audience, strategy, capacity etc to make anything but an educated guess.

BCC is largely an honourable exception here – although there was still an element, certainly at the beginning of the local supplier engagement programme, of trying to decide on platforms/technologies etc before sitting down to work out what we trying to achieve from a strategic point of view.

Quite often public sector web tenders are sent out before being market ready. They make assumptions on functionality and design that have not been validated in planning and consequently what is being asked for tends not to be the best solution – and as suppliers trying to win tenders we find ourselves having to commit to an approach to a project
that might well be the wrong one.

Personally, I think this is the single most cost-effective thing any public sector (and indeed private sector) organisation can do when commissioning a website.

3: Clarity on budget

Quite often tenders come out without a clear budget. This is significant as the entire approach to coming up with the most effective solution is hugely influenced by budget.

In all cases where we are asked to provide details of a solution, we will suggest the most effective approach with the best potential for ROI. This will, of course, often be the most costly approach in terms of initial investment. However, if there is a limited budget that doesn’t allow optimum solutions there will often be a “next-best” approach.

We’ve seen tenders where we have lost on price by suggesting an optimum approach. With guidance on budgets, we would have been able to take a budget-conscious “next-best” approach to the tender which would have at least allowed us to compete on a level playing field with those agencies that had guessed the right budget.

It would be very helpful to have budget clarity. If we still thought that you would achieve more ROI by spending more, at least we could flag this up rather than build our tender approach around an unachievable budget.

As I say, BCC is just about the only public sector organisation we know that seems to be moving in the right direction with this stuff – which is probably why its the only one brave enough to ask for public feedback on it!

Protected: Response to request for feedback on supplying public sector: ICT_Bristol_Supply

September 12th, 2012 John Brunsdon

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New website for Luton Culture

May 22nd, 2012 John Brunsdon

We’re celebrating the launch of our latest website – a powerful and user-friendly site for Luton Culture, a major urban arts and culture charity.

Luton Culture manage manage 12 venues and provide cultural services to more than 250,000 people across Luton and surrounding area, with more than 300 employees.

The site promotes events at the 12 venues, as well as providing an online cultural community for the region.

The site, built on our open-source based Hummingbird platform, includes complex online event listings for multiple venues, as well as e-commerce, social media integration and e-marketing management.

Detailed planning, usability and accessibility testing went into creating a site that works for a highly diverse audience across multiple platforms, and provides Luton Culture with a highly-flexible, easy-to-use website for managing all their online communications.

We were also briefed to ensure the site ensured each venue kept its own identity and worked as a stand-alone area of the site, while ensuring ease of use and a sense of a single organisation working together.

We conducted user-testing with a wide range of subjects in Bristol and Luton, as well as planning detailed wireframes and paper-prototypes to ensure the finished site delivered the marketing aims of the organisation.

The site is now up and running, and can be seen at http://www.lutonculture.com/

The Joy of Painting – innovation, broadband and Steve Jobs

October 17th, 2011 John Brunsdon

Bob Ross - what can he teach us about broadband?

Among the many words of praise for the late Steve Jobs was this quote from one blogger: “What Steve Jobs did with Apple stopped me from looking at a computer as a tool and began making me think of it as a paintbrush to make my mark on the world with.”

The true genius of Steve Jobs was that he recognised the vast majority of the public are not interested in technology  – they are interested in the Stuff they can do with it – particularly when that Stuff is game-changing.

It’s a message that is vital to the success of one of the few areas of major public investment in these difficult times.

With millions being invested in next generation broadband through projects like BDUK, there is an imperative to ensure that businesses “get” broadband in the same way the public “got” the iphone, itunes or the ipad.

There sometimes seems to be an assumption with superfast broadband that “if we build it they will come”. However, the evidence is, they won’t – not without a reason.

Disappointment

BT has expressed disappointment at the low levels of take-up of its next-generation fibre-to-the-cabinet (FTTC) technology in some areas, despite intensive (and expensive) investment in infrastructure and marketing.

The over-riding reason for this is pretty simple – most people aren’t interested in higher broadband speeds, they are interested in Stuff.

We recently ran a seminar in collaboration with The Open Innovation Project in which we looked at the role of innovation in broadband demand stimulation.

Innovation is absolutely central to engaging the public and businesses with broadband – and it is innovation of the kind Steve Jobs understood.

Innovation is not speed, it is not the ability to do the same stuff you always do faster – its the ability to do new stuff that you desperately want to do but can’t do without superfast broadband.

I can send email with standard broadband, I can watch movies online with standard broadband, I can share files, make Skype calls, work remotely and use social media with standard broadband.

Apart from the 10% or so of the population (lets call them geeks) that just have to have the latest technology or already use bandwidth intensive applications – as long as I can do these things, I’ve got no need to pay more to do them faster.

I will have a need when I see Stuff that I want to do but can’t do without superfast broadband.

The Joy of Painting

Jobs got this – the iphone wasn’t a better mobile phone, it was a pocket-sized entertainment, business, social and communication tool.

It’s a challenge for broadband demand stimulation that what it is that selling  is effectively just an infrastructure enabler. That’s not very sexy.  What it needs to do is identify, and encourage, innovation in what can be done with broadband – and in the understanding of what can be done.

Apple wasn’t always innovative in the technology it produced, but it was always innovative in the way it saw -and sold – the potential of that technology to let people do Stuff. Big Stuff.

Jobs’ genius was to recognise that innovation is not always about new technology, but often simply about making technology do Stuff that was new, relevant and exciting – and then making sure people knew about it.

Just as Jobs made people see the computer as a “paintbrush” rather than a technical tool, the responsibility of broadband demand stimulation is to make people see superfast broadband as the “paint” that allows them to create new ways of working, and living.

But it is the creation that interests us – the act of painting not the tools we use. Tell people how good paint is and they won’t buy, show them the joy of painting and they will.

Never mind the trouser press – where’s the wi-fi?

September 5th, 2011 John Brunsdon

Better connection up here than in my hotel. Hmm..

I’ve just got back from a week away in beautiful Snowdonia (no, that’s not my 4×4) and found myself reminded yet again that the best things in life are free – fresh air, mountain scenery, wi-fi.

And like all the best things, you don’t always appreciate them till they are gone. Getting away from it all is great, as long as “all” doesn’t include the ability to communicate.

Yet again, I was struck by the fact that so many leisure businesses fail to understand that free access to good quality wi-fi is as fundamental to their customers’ needs as toilet facilities.

Spending a penny

You don’t ask me to type in a 14 digit codeword, set up an account and pay a premium rate before I can take a wizz, so don’t ask me to do it to access wi-fi. That’s if you have wi-fi in the first place.

So much of what we do on holiday – from deciding where to go to booking a ticket to keeping up with gossip at home – is done online that to have no, or restricted, access to the internet has a huge impact on the quality of your stay.

The place we stayed was fine – but I’ll never go there again. Don’t give me a trouser press but no free internet access and a terrible connection speed.

When I find I have faster access to the internet on my smartphone at the top of Wales’s highest mountain than I do in my hotel, it’s time to find a new hotel.

Time and again I come across restaurants that either have no wi-fi access, or lock it down with a price to log in. It seems almost unbelievable that there are still hotels that don’t have free access to wi-fi.

If you are in the business of accommodating people – whether that’s in your rooms, your tables or your conference facilities – wi-fi should just be there. Like running water, lightbulbs, chairs, toilet paper..

Internet access is a fundamental, basic requirement not a premium add-on. If you don’t get that, don’t be surprised if you don’t get customers.

Blogging your way in – BCC and why it’s good to talk

August 25th, 2011 John Brunsdon

We’re delighted to have just been officially unveiled as one of the magnificent seven Bristol agencies working on the new Bristol City Council web project.

We’re even more delighted that this has come about because BCC actually did something many councils talk about but rarely do in such a meaningful way – consulting with industry.

Conversation starter

Last year, BCC announced that it was going to take opinion from Bristol’s digital community on the re-development of the council’s website.

Naturally, we were interested and attended a round-table discussion on the project, after which I wrote a blog piece picking up on the fact that I felt the engagement was missing a trick.

I was delighted – and the cynic in me a little surprised – when I received a reply from the council’s communications and marketing director Peter Holt opening up a dialogue about the subject we’d raised.

Benchmark

The discussions that followed led to our engaging with the procurement process for approved suppliers to work on the project – at the end of which we’re extremely pleased to have been selected.

It’s been a refreshing process to go through – and a rare one in procurement – where a public sector body has gone to industry happy to say it doesn’t have all the answers and asking them to contribute ideas to a project rather than presenting them with tender documentation for a fait accompli.

Having gone through the process with BCC, I’m convinced this approach has led to a much more carefully thought out and strategised web project than would have been the case if consultation had not occurred on the same level.

It’s a very exciting project to be involved in, and hopefully one that will set the benchmark for similar projects across the UK.